Fact, Faith, and Fantasy

Maps offer a graphic representation of reality. Despite the use of terms like “true” and “real” in their titles, they are inherently selective, reflecting a certain way to view and interpret the world. Maps of the Holy Land were conceived primarily as a “geographical stage” for the events described in the scriptures, making those narratives come alive and reinforcing Christian belief.

The Chinn Collection in the Israel Museum comprises maps of the Holy Land spanning four centuries, from the birth of the printing press to the late 19th century – including several unique examples never before presented to the public. As part of “sacred geography,” maps of the Holy Land offered those who could not undertake an actual pilgrimage – a journey often fraught with danger – a means of making a “virtual” pilgrimage from the comfort of their homes.

This exhibition comprises three sections: rare wall maps; “families” of maps defined by their formal resemblance; and maps of Jerusalem – real and imagined. The exhibition also touches upon central issues in the history of mapmaking, such as the many individuals involved in the making of maps (cartographer, engraver, printer, publisher); conservation and coloring; and the inherent tension between the mapmakers’ loyalty to geographical reality and to the holy scriptures.

The exhibition is dedicated to the memory of Lady Susan Chinn, who will always be remembered with great fondness and respect at the Israel Museum.

All the works are gifts of Sir Trevor and Lady Susan Chinn, London, through the British Friends of the Art Museums in Israel, unless stated otherwise.