View of Freeze Fork, West Virginia | The Israel Museum, Jerusalem



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View of Freeze Fork, West Virginia

View of Freeze Fork, West Virginia

American, born Lithuania, 1898–1969

View of Freeze Fork, West Virginia

Gelatin silver print

25.6 x 33.2 cm

Gift of Gary B. Sokol and Susan Ehrens, San Francisco, to American Friends of the Israel Museum

© Estate of Ben Shahn / Licensed by VAGA New York, NY
Accession number:



Ben Shahn grew up in an environment of socialist ideals, with a father who was involved with the secular labor movements of the early twentieth century. As a result, the issues of social struggle, war, poverty, and politics are deeply embedded in Shahn's painting but especially in his extensive photographic documentation of working people. His work is directed at social and political issues, focusing on the poor and disenfranchised, whom he portrays with sympathy and compassion.

Under President Roosevelt's New Deal, the Farm Security Administration (FSA) and the Resettlement Administration commissioned photographers to document the many faces of the Great Depression and to help create support for the government agencies responsible for relieving unemployment and rural poverty. Shahn naturally joined them, producing some of the finest photographs of the project.

Shahn's work is simple, direct, and powerful. His social realist vision and acute eye are most evident in this photograph, whose perfect balance between subject and background unequivocally transmits the intended message. As he once explained, "You are not going to move anybody with the eroded soil - but with the effect this eroded soil has on a kid who looks starved, this is going to move people."

From the Israel Museum publications:

The Israel Museum, Publisher: Harry N. Abrams, Inc., 2005

Perez, Nissan N., Displaced Visions: Émigré Photographers of the 20th Century, Israel Museum, Jerusalem, 2013


Displaced Visions, Emigré Photographers of the 20th Century, Israel Museum, Jerusalem, 28/05/2013 - 05/10/2013

Digital presentation of this object was made possible by:
The Ridgefield Foundation, New York, in memory of Henry J. and Erna D. Leir