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James Turrell
American, born 1943
Space That Sees
1992
Gray and white concrete, limestone, fluorescent light with dimmers
700 x 1000 x 1000 cm
Gift of Hannelore and Ruda Schulhof, New York, to American Friends of the Israel Museum
© The artist
Accession number: B92.1091

Space That Sees belongs to Turrell's "Skyspace" series, begun in the late 1960s and early 1970s, which can be seen as performance pieces responding to and interacting with environmental conditions and atmospheric fluctuations over time. Observing the shifting hues of the sky from inside a pristine, rectilinear space, viewers experience a connection to their surroundings. But more than that, the artist, by confronting us with the empty space, turns our mind to our own mode of seeing. For his Jerusalem Skyspace, Turrell chose a semicircular terrace along the western slope of the Art Garden. The site was cut in two and dug out, so that the terrace now enfolds a shrine-like inner space evoking places of worship such as pyramids, mausoleums, or temples. A square opening cut into its ceiling makes a frame for an ever-changing abstract "picture" of the sky, recalling by contrast Baroque illusionist ceilings crowded with painted clouds, saints, and angels. Space That Sees invites a kind of meditative experience. Twilight conditions yield a particularly startling effect, with the flat surface of the sky turning almost imperceptibly from deep blue to velvet black while the room itself seems to grow increasingly brighter, so that the physical conjunction at the roof opening of interior and exterior becomes a catalyst in the light's passage from day to night. Turrell saw the installation as an "allegory of light that we generate from inside and light that comes from outside: the emergence into space where light comes forth as in a dream."


From the Israel Museum publications:
Spitzer, Judith, The Billy Rose Art Garden, The Israel Museum, Jerusalem, 2004, English
The Israel Museum, Publisher: Harry N. Abrams, Inc., 2005
Zalmona, Yigal, ed., The Israel Museum at 40: Masterworks of Beauty and Sanctity, The Israel Museum, Jerusalem, 2005
Kamien-Kazhdan, Adina (ed.), Modernism in Dialogue: 20th-Century Painting and Sculpture in the Israel Museum, The Israel Museum, Jerusalem, 2010

Digital presentation of this object was made possible by: The Ridgefield Foundation, New York, in memory of Henry J. and Erna D. Leir


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