“…Caesar [Titus] shouted and waved to the combatants to put out the fire; but his shouts were unheard as their ears were deafened by a greater din, and his gesticulations went unheeded amidst the distractions of battle and bloodshed. As the legions charged in, neither persuasion nor threat could check their impetuosity: passion alone was in command...”
(Josephus Flavius, The Jewish War, VI.5–6)
This work from Poussin’s early Italian period was commissioned by his patron Cardinal Francesco Barberini and offered as a gift to Cardinal Richelieu, the French head of state. At the time, Barberini was head of a papal legation that attempted in vain to negotiate an end to the bloody war between France and Spain. Poussin draws a parallel between his patron, the would-be peacemaker, and the enlightened pagan emperor Titus, who – according to the account of Josephus Flavius – tried unsuccessfully to prevent the ruin of Jerusalem and its Temple.
Classical Roman architecture and sculpture provided Poussi
From the Israel Museum publications:
Zalmona, Yigal, ed., The Israel Museum at 40: Masterworks of Beauty and Sanctity, The Israel Museum, Jerusalem, 2005
The Israel Museum, Publisher: Harry N. Abrams, Inc., 2005
Roitman, Adolfo, Envisioning the Temple: Scrolls, Stones and Symbols, The Israel Museum, Jerusalem, Israel, 2003, English / Hebrew
Beauty and Sanctity: the Israel Museum at 40. A Series of Exhibitions Celebrating the 40th Anniversary of the Israel Museum, Jerusalem, 2006
Exhibitions:
The Beauty of Sanctity: Masterworks from Every Age, Israel Museum, Jerusalem, Spring-Summer 2005
Digital presentation of this object was made possible by: The Ridgefield Foundation, New York, in memory of Henry J. and Erna D. Leir
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