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Chagall in Israel
September 10, 2002 - March 15, 2003 (extended)
Marc Chagall holds a unique place in the history of Modern Art.
Although he came into contact with and was influenced by the major
styles and movements of the early twentieth century, Chagall's poetic
art remained distinctively his own. His paintings are characterized
by the confluence of his Jewish and Russian background and modern
European art trends. These variant strands were then woven into
a very personal mode of expression. In part this individual idiom
was the result of the Hasidic traditions that permeated his home
life in Vitebsk, the city where he was born and spent his youth.
The breakdown of the barriers that separated visions and reality
in his paintings was a natural extension of the mystical milieu
that surrounded him. The use of symbolic images was inherent in
his Jewish heritage. Often his subjects included aspects of Jewish
life, portraits of Jews, and everyday life in the shtetl. He translated
these into visual metaphors, flights of fancy unbound by the laws
of logic or gravity.
Together with the fantastic aspects of his work, Chagall was also
a realist. The majority of the people and places he depicted were
grounded in his immediate surroundings, and much of his poetic imagery,
once deciphered, proves to be an expression of a concrete, historical
or autobiographical reality. Biblical subjects as well, particularly
when employed in projects for Jerusalem, tend not only to retell
ancient stories but are also often imbued with additional meanings
that reflect the artist's hopes and worldview. Even Yiddish sayings
take on concrete form and intermesh within overall motifs. Somewhere
between realism and visual metaphor Chagall invents his very own
language.
All the works on display are drawn from Israeli collections, public
and private. The exhibition's title reflects this, and also indicates
that there is a section of the display devoted to Chagall's connections
to Israel. Other sections of the exhibition focus on recurrent themes
in his oeuvre, religious and secular. Chagall's art straddled those
two worlds, but both were informed by his early years in the Jewish
shtetl, which proved to be a wellspring that continually nourished
his creativity.
This exhibition is part of a joint project conceived by the Israel
Museum, Jerusalem, and the Tel Aviv Museum of Art, to highlight
the strength of Israel's modern art collections. Many of the works
are on loan from the Tel Aviv Museum. Concurrently, many works from
the Israel Museum are on loan for an exhibition of Pablo Picasso
in Tel Aviv.

Three Acrobats, 1926 |
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The Great Circus, 1956 |
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Jew with Torah, 1925 |
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The Praying Jew, 1912–13 |

Interior of a Synagogue in Safed, 1931 |

The Lovers, 1937 |
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The Bride and Groom of the Eiffel Tower,
1952–54 |

Solitude, 1933 |

The Wailing Wall, 1932 |
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