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The cross was an accepted sign hundreds of years before the birth
of Jesus, and not only in the cultures of this region. However,
Jesus’ crucifixion transformed this mark into the primary
symbol of the Church, of Christianity, and of salvation through
the Christian faith. Numerous variations of the cross exist, but
the most common are the cross with bars of equal length and one
in which the lower bar is longer than the others. Beginning in the
Middle Ages, the former came to be known as a Greek cross and the
latter - a Latin cross.
Crosses decorated many daily objects: They were carved or painted
on the facades of private and public buildings, erected in fields
and on roadsides, and stamped on eating utensils. This sign was
especially common on oil lamps, perhaps as a symbolic means of banishing
the darkness. The cross was also the primary symbol used to identify
members of the Christian faith, and thus, it is also found on tombstones
and coffins. In addition, it served as an official mark of reliability
and honesty, appearing on weights and, of course, on most Byzantine
Imperial coins. The cross was believed to be an effective form of
defense against Satan and the forces of evil and was therefore made
into jewelry, which was worn by the living as amulets and deposited
in tombs.
The cross is frequently depicted together with images, particularly
of animals or birds, arranged symmetrically along its sides. It
thus recalls the motif of the Tree of Life, which was widespread
in Near Eastern art, and expresses, to some extent, its meaning.
Part of a mosaic floor bearing a decorated cross in a
circle
Between the bars of the cross are the Greek letters alpha and omega
and the abbreviation of the name Jesus Christ.
Church at Hazor-Ahdod, 6th century
Israel Antiquities Authority, 57-1347/10
Photo: The Israel Museum, Jerusalem / by Avraham Hay
Christian Symbols on Pottery and Glassware
Pottery vessels for daily use, mostly plates, were produced during
the Byzantine period in large manufacturing centers in North Africa
and the eastern Mediterranean region. These objects were usually
decorated with stamped designs or appliques. The most prominent
motif is the cross, sometimes found together with other Christian
symbols. The pottery oil lamps bearing crosses were also used for
everyday purposes and did not necessarily have a liturgical function.
At times it is difficult to determine whether an object decorated
with crosses, like the glass bottles shown here, had a religious
function. Such pieces may have simply been decorative, valued for
their beauty or interesting shape, like the multi-handled flask,
or entertaining, like the pottery vessel in the shape of an animal
with a cross in a wreath on its head and the animal bearing an oil
lamp.

Zoomorphic vessel decorated with a cross inside a wreath
Pottery
Hagosherim, Byzantine period
Israel Antiquities Authority, 66-85
Photo: The Israel Museum, Jerusalem / by Avraham Hay
Crosses as Jewelry
Crosses were commonly worn as jewelry, the function of which was
two-fold -- to beautify and to protect from harm. The most common
type in the Holy Land during the Byzantine period was a small bronze
pendant decorated with circles. Many crosses of this type were discovered
in tombs, where they were presumably placed along with personal
belongings of the deceased.
In excavations of Jerusalem's Mamila district, situated near the
Jaffa Gate, three crosses, representing the types of pendants typical
of this period in our region, were found in a burial chapel. In
addition, in one of the streets of shops leading to the city gate,
a small bronze cross with an inlay of wood was found. The wood was
probably a relic from the "True Cross," which invested
the pendant with particular holiness.
Bronze cross-pendants decorated with circles
From tombs at different places in Israel
6th-7th century
Israel Antiquities Authority, 31.317, 49-1053, 49-1105,
70-1997, 98-2495, 99-3863, 99-3868
Photo: The Israel Museum, Jerusalem / by Avraham Hay
A Means of Protection
Crosses were particularly prominent on amulets. Pottery and plaster
plaques, such as those shown here, which were hung in homes or deposited
in tombs, provide another example of the syncretism evident in popular
art of the Byzantine period. Based on their decorations, it is apparent
that these plaques were used for magical purposes by all the people
of the Holy Land at that time, regardless of their religion. Many
bear geometric motifs or a small shrine (aedicula), but some are
also decorated with the menorah or the cross. Others bear the image
of Tyche, the pagan goddess of Fortune, or are in the shape of female
figurines. Some of the plaques were originally inlaid with glass
mirrors, a means of warding off the Evil Eye.

Plaster mirror-plaque against the Evil Eye decorated with
crosses, birds, and flowers
Provenance unknown, Byzantine period
The Israel Museum, Jerusalem, 74.17.227
Photo: The Israel Museum, Jerusalem / by Avraham Hay
A Mark of Quality
The cross was also an official symbol, which assured fairness and
honesty with regard to weight and quality. Crosses are thus found
on weights, on storage jar stoppers, on lead bullae used for sealing
containers, and on bronze and gold coins issued by the Byzantine
emperors in Constantinople.
Bronze weight with a cross depicted inside an aedicula
(shrine)
Beth Shean, 5th-7th century
Israel Antiquities Authority, 52-153
Drawing: The Israel Museum, Jerusalem / by Pnina Arad
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the Days of Jesus |In
the Early Church |Pilgrimage
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& Symbols |Monasticism
in the Holy Land
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