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Photography
Almost immediately after opening in 1965, the Israel Museum was
already devoting time and space to photography exhibitions. In the
spirit of this commitment, in the 1970s the decision was made to
establish an independent photography department, which was a pioneering
act at the time, when very few art museums in the world had the
vision to do so. New York master photographer Arnold Newman began
collecting works for the department, which opened in 1977 and officially
became active at the end of 1979.
Since its inception, the Department of Photography has compiled
an encyclopedic international collection addressing all areas of
photography from its formative years to contemporary creations.
It has become an essential source for study and research in Israel.
Today the collection comprises over 55,000 items including rare
and unique masterpieces, some of them representing milestones in
the history of photography, placing the Israel Museum among the
leading international institutions in this field. Over the years,
the department has also developed several areas of expertise and
special interest such as early photography in the Near East. Photography
of the Dada and Surrealist period is another of the fields strongly
represented in the collection.
As part of its commitment to collecting and preserving the photographic
heritage of the country, the Museum has acquired several bodies
of work by preeminent pioneers in the medium, such as Mendel John
Diness, the first Jewish photographer to capture images of Jerusalem
in the mid-nineteenth century; Yaakov Ben Dov, an early-twentieth-century
photographer; Yaakov (Jack) Rosner; and S. J. Schweig, who was active
from the 1930s on. The Museum owns some 12,000 of Schweig’s
negatives and 20,000 by Alfred Bernheim, one of the great architecture
and portrait photographers in Israel. The latest addition has been
the estate of the internationally renowned photojournalist Nahum
Tim Gidal.
The department also devotes close attention to the promotion and
encouragement of contemporary Israeli photography, and to this end
presents periodic one-person and group exhibitions of Israeli creators
while conducting a cautious but active acquisition program. Our
exhibition program covers a wide range of subjects and all areas
in the history of the medium, from the nineteenth century to today,
both national and international.
Nissan N. Perez
Horace and Grace Goldsmith Senior Curator of Photography
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Auguste Salzmann , French, 1824–1872 Fragments Juda ï que et Romain , 1854 Salt print, 23.4 x 30.7 cm
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Gustave Le Gray , French, 1820–1882Un Effet de Soleil, Ocean no. 23 , 1856 Albumen print, 31 x 40.7 cm
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Carlo Naya , Italian, 1816–1882 Untitled (Beggar in Cairo), 1876 |
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Man Ray (Emmanuel Radnitzky), American, active France, 1890–1976Untitled , 1921 Rayogram (gelatin silver print), 61.5 x 23.8 cm |
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Ben Shahn , American (b. Russia), 1898–1969View of Freeze Fork, West Virginia , 1935Gelatin silver print, 25.6 x 33.2
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Dora Maar, French (b. Russia), 1907–1997 Preliminary photograph for 29 rue d'Astorg , 1936
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Tim Gidal (Ignaz Nahum Gidalevitsch), Israeli (b. Germany) 1909–1996 Hebrew lesson, Palestine, 1937 Gelatin silver print, 18.9 x 18.1 cm
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Brassaï (Gyula Halász) , French (b. Hungary) 1899–1984 Graffiti Parisien, 1957 Gelatin silver print, 30.1 x 23.1 cm
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Dalia Amotz , Israeli, 1938–1994Untitled, 1980Gelatin silver print, 43 x 43.5 cm |

Adi Nes , Israeli, born 1966 Untitled (Last Supper) , 1999 Chromogenic print, 90 x 144 cm.
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